The
Monitoring Officer submitted a report informing the Commission that
the
Executive decision taken by the City Mayor on 28 May 2024
relating to continuation of Phase 4 and 5 capital works programme
at Leicester Museum and Art Gallery (LMAG) had been the subject of
a 6 member call-in under the procedures at Rule 12 of Part 4D, City
Mayor and Executive Procedure Rules, of the Council’s
Constitution.
The
Chair clearly outlined the process that he would follow in
determining how to resolve the call-in. The Commission was
recommended to either:
a) Note
the report without further comment or recommendation. (If the
report is
noted
the process continues and the call in will be considered at
Council) or
b)
Comment on the specific issues raised by the call-in. (If comments
are made
the
process continues and the comments and call in will be considered
at
Council); or
c)
Resolve that the call-in be withdrawn (If the committee wish for
there to be
no
further action on the call-in, then they must actively withdraw it.
If withdrawal
is
agreed the call-in process stops, the call-in will not be
considered at Council and the original decision takes immediate
affect without amendment).
The
Chair invited the proposer of the call-in, Councillor Porter, to
the table and allotted them five minutes to make their case. The
proposer raised the following points:
- Reference was made to the precarious nature of the
Council’s finances and the issues faced by residents of the
city as a result of poverty. This in
mind it was suggested that there was a moral duty to challenge and
scrutinise multi-million-pound proposals from the City
Mayor. It was further noted that the
plans had bypassed all scrutiny commissions and had not been
presented at full council and as such elected members had not been
given the normal opportunity to see the details and voice their
views on the proposal and it was suggested that this was
detrimental to the democratic process in the city and did nothing
to help the poorest and most vulnerable in the city.
- The
current financial crisis raised the question of whether, with a
limited pot of money, a new café was a priority in the
hierarchy of needs.
- It was
suggested that on a local level, money could be better spent on
projects in wards.
- It was
further suggested Council should focus on high-quality public
services since the private sector could deliver a new
café.
The
Chair invited the seconder of the call-in, Councillor Joshi (the
original seconder, Cllr Osman, could not attend the meeting), to
the table and allotted them five minutes to make their
case. The seconder suggested that this
was not aa priority given the economic issues faced in the city and
the suffering it caused citizens.
The
Chair invited Assistant City Mayor for Culture, Libraries and
Community
Centres, Councillor Dempster, to respond and the following
points were raised:
- The
Council were not spending £3.6m on the café alone, it
was a complete project, a small part of which was the
café.
- The
stresses on Council funding were known and it was acknowledged that
the revenue budget was in a precarious situation, however, the
scheme being discussed was a capital scheme that would not affect
the revenue budget.
- The
previous café had not been fit for purpose, which had been
why the private operators had pulled out. It was in the wrong part of the museum and could
only be open when the museum was, which had made it financially
unviable. The new café would be
able to be run outside of museum hours and would be run and
furnished by a private company. As such
the Council were facilitating a situation whereby the operators
could have a viable business.
- The
museum was something that attracted people to the city. The national museum service had entrusted the
museum with a painting by Renoir, showing that it was right to
invest in the museum.
- Investment in the museum and café would bring jobs and
generate money which in turn would increase revenue. This added to the range of reasons to improve the
visitor experience.
- The
programme aimed to redesign the ground floor of the building to
allow items in storage to be displayed.
- When
projects like this were invested in, it was often the case that
match-funding was offered, which would mean that the experience
would improve further.
The
Director of Culture, Tourism and Inward Investment gave a
presentation in response to the call-in (slides attached) and the
following points in addition to those on the slides were
raised:
- The
Wildspace Gallery was being shut down and decanted as it was no
longer fit for purpose, so the opportunity was being taken to move
the café to this space as it was a better location for a
private operator. It would also strip
the building back to how it looked 100 years ago.
- New
ventilation equipment would be installed, for which £1m of
Arts Council funding would help to deliver.
- The
money would need to be spent by March 2025 or there would be a risk
of losing the Arts Council Funding.
- Since
the previous café could only be open when the museum was,
museum staff would need to be paid if the café needed to
remain open.
- The
National Lottery Heritage Fund (NLHF) bid aimed to make the area
around the entrance to the museum information about history which
then pointed to other areas that the city had to offer.
- The
operator of the café should have more capacity to sell food
and drink and many potential operators were interested in the
opportunity.
- Since
the previous operators had pulled the service due to it being
unprofitable, it was important to attract people who were keen to
invest once they were given the lease.
This would take some of the cost out of the project and there would
be a more efficient model moving forwards.
- The
Arts Council MEND fund would cover essential repairs.
- The
bulk of the fit-out cost would be paid for by the
operator.
The
Committee were invited to ask questions and make comments. Key
points
included:
- When
money was spent on capital projects it was an investment rather
than a loss.
- It was
wrong to connect this spend with a lack of spending on SEND
Transport or adventure playgrounds as it was a different pot of
money.
- The
Café could provide jobs which could help to alleviate
poverty in the city.
- Other
cafés were not close to the museum and were often full,
meaning that the new café would not take business from
elsewhere.
- In a
separate comment, it was suggested that the café at Soft
Touch Arts could be affected.
- The
project would help the energy efficiency of the
building.
- Families with limited incomes looked forward to visiting the
museums. Additionally, schools made
trips to the museums, so it was important for them to be
there. Museums also brought in tourists
to the city.
- In
terms of phasing, the project would take around a year, and many
areas of the museum would remain open whilst the work was being
undertaken.
- In
response to a question about the figures for the project,
Councillors were referred to the data in the papers.
- The
whole spend, on the whole area of the café was around 10% of
the budget.
- As the
museum was a listed building, all improvements would be worked out
with an architect and designed with environmental controls in mind
to make the building more environmentally efficient than
previously.
- Work
would be undertaken on the Victorian Gallery to make it more
welcoming.
The
Chair asked if the proposer wished to withdraw the call-in. It was
noted that the proposer wished for the call-in to
proceed.
Councillor Dawood moved that, following the points raised during
the meeting, the call-in be withdrawn.
This
was seconded by Councillor Aldred and upon being put to the vote
the motion was CARRIED.
RESOLVED:
That the call-in be withdrawn.