The
Director of Tourism Culture and Economy submitted a report updating
on the operational and financial progress at De Montfort Hall and
the Haymarket Theatre, which are being managed as an integrated
service.
The
Venue Director of De Montfort Hall attended the meeting to present
the report and assist with the discussion.
Key
Points included:
-
Both venues were doing well, and a significant
milestone has now been achieved, as it now costs the Council less
to operate De Montfort Hall and the Haymarket Theatre as a joint
service than it would be to maintain them as empty buildings. This
means they are budget neutral and also
enabled the delivery of a high quality cultural and teaching/
learning offer for the city.
-
Over the last ten years, the position of DMH has
improved, with the real terms cost of operation falling by over
£1m through a more commercial approach being adopted with
more popular programming, increased secondary spend, and full refurbishment carried
out.
-
The 2024/25 outturn saw turnover increase by
£1.2m and the cost of operations falling to £247k (down
from £1.3m in 2014/15). Also
noted that a reserve fund had been created through a small levy on
tickets to fund a basic renewals programme.
-
Approximately 25% of visitors are local and come
from within the existing city council boundary, this goes up to
just over 50% if you include the wider Leicester urban area –
meaning the city council area plus the districts immediately on the
city’s boundary. Haymarket Theatre had come back into Council
control in 2020 and had now found its purpose around teaching and
learning, particularly for Young People.
-
The Addict Dance Academy operate from the Haymarket
Theatre Monday to Friday teaching musical theatre and dance at
higher education level. UK Shared
Prosperity Funding (UKSPF) had facilitated studios and rehearsal
rooms for them, as well as equipment to bring the stage back into
use for student performances.
-
Leicestershire Music use Haymarket on Saturdays and
Monday nights to teach, and plan to also use the auditorium for
student shows.
-
Haymarket was a work in progress, but progress was
being made and the agreements in place did not mean that further
users could not be accommodated.
- Overall, combining the buildings as one service gave an economy
of scale and expertise that was
delivering well.
- Key
headlines were displayed on a slide (as attached with the
agenda).
Questions and comments were invited from the
Commission; it was noted that:
-
It was recognised as positive that the services had
recovered well from the effects of the Covid-19
pandemic.
-
It was noted that DMH had been a serious
concern, but had improved hugely over
the last ten years. It was suggested
that this was largely down to the leadership.
-
In response to questions regarding parking at the
Haymarket Theatre, it was clarified that hirers and users did not
have parking spaces at the theatre and that car parking for staff
and users was difficult in the pay and display as no spaces or
reduced rates are allocated to the theatre for use.
-
With regard to
parking on Victoria Park, DMH received a cut of
evening rates. DMH also had a
pre-bookable car-park of its own on
site. Both are well used.
-
In response to a suggestion for bringing in an Asian
franchise or concession to serve food at Asian shows to increase
profit margins, it was noted that when Asian shows are booked in,
they often bring their own caterers and deals are done to hire the
catering facilities at the hall.
-
Outdoor shows had been put on every year, but
outdoor theatre had been downscaled in recent years to lower risk
and generate income.
-
In response to a suggestion on keeping bars open
following shows, it was noted that this had been trialled
a number of times, but few people made
use of them and the cost of the staff was not covered.
-
In response to a suggestion that a lack of mobile
signal prevented customers using online taxis companies, it was
noted that this was not an issue that was known, but would be investigated.
-
It was clarified that in terms of subsidy,
£250k went to DMH and the rest to Haymarket, so Haymarket
received most of the subsidy.
-
Philharmonia
would continue, but the deal had been restructured
so they were not subsidised and were self-sustaining.
-
In response to points made about steep steps at DMH,
this had been looked into, and no
workable solution found – although noted that there were few
issues and staff in these areas were aware of the potential risk.
It was also noted that the upper steps at DMH in question were less
steep than many sports stadiums.
-
Haymarket did not currently have a brochure, as the
shows it will present are student presentations aimed at
students’ friends and family rather than touring or
commercial shows aimed at the public. However, a new website had
recently been launched which will carry details of these
shows.
-
650 Young People per week attended Haymarket
Theatre, and this had a knock-on benefit to the local
economy.
-
A membership deal was in place with restaurants near
DMH.
-
With regard to
Local Government Reorganisation, data had been
mapped to show where people were coming in from, with a significant
proportion of visitors coming from neighbouring council
districts.
-
In terms of accessibility, DMH had lifts and
wheelchair facilities and adult changing spaces. Accessible seating was also available upstairs
through lifts. Haymarket had more
significant challenges in terms of access, which will expensive to fix but would need to be addressed
at some point.
-
There were around 250 shows per year at DMH, largely
because more tribute acts had been booked due to a change in the UK
touring industry post covid. The venues
were also hired out to groups such as the Bardi Symphony Orchestra
and the Leicester Philharmonic.
-
Issues raised about single ticketholders not being
able to choose where to sit could be looked
into.
AGREED:
1)
That the report be noted.
2)
That comments made by members of this commission to
be taken into account.